Die Zukunft war gestern: Essays Gesprche und Reportagen

Ende der 60er Jahre als der Musikjournalismus noch in den Kinderschuhen steckte und von Mnnern dominiert war profilierte sich Ingeborg Schober (19472010) als erste Rockmusikjournalistin der Bundesrepublik. In der Mnchner Szene zu Hause verfasste sie vor allem in den 70er und 80er Jahren Artikel fr Sounds Musikexpress und Rock Session; reiste dafr nach London Amsterdam Tokio und Atlanta. Stets an experimentellen Klngen interessiert begleitete Schober die deutsche Rockszene um Amon Dl und weitere Krautrocker entdeckte frh die Avantgarde-Musiker Can und Elektronikpioniere wie Neu! Kraftwerk und Michael Rother. Mit ihrer authentischen unterhaltenden sowie faktenreichen Schreibe bereitete sie hierzulande den Weg fr New Wave-Knstler*innen wie Talking Heads XTC Human League und Ultravox. Die Herausgeberin Gabriele Werth ediert in Die Zukunft war gestern eine Reihe von Schobers herausragenden und bis heute relevanten Texten. Ingeborg Schober wird nach wie vor von zahlreichen Musiker*innen geschtzt und von ihren Fans verehrt. Darber hinaus ist sie ein wichtiges Vorbild fr Autor*innen im heutigen Musikjournalismus und der Popliteratur. Als Musikfanatiker war ich Fan ihrer Texte ber Musik. Daran erkennt man vielleicht auch wie sehr Musik an Bedeutung verliert. Frher waren sogar Musikjournalisten Stars. Heute kennen die Leute kaum noch den Namen des Bassisten. Bela B Sie war die einzige Frau zu der man berhaupt aufblicken konnte weil sie die einzige Frau in diesem Mnnerhaufen war eben in dieser Musikredaktion die sich da Respekt verschafft hat. Sandra Maischberger

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